Monday, May 3, 2010

new solo. a hair in my salad and other minor annoyances

I like this title for a dance work or a book or for something. I have nothing to use it for, but if anybody does, feel free to steal it. Presenting, "A Hair in my Salad. and other minor annoyances...". Maybe some day I'll want it back. Thats generous of me right????

Hmmm...lately I have been bugging out and nerding out on what it means to be generous. The idea of an artist having a 'benefit' just seems so crazy. Its so conflicted cause generosity has nothing to do with funding (or does it?) and other artists that get invited to the benefits are no good at being philanthropists. Artists are good at sharing resources, they doggedly exert massive amounts of energy for causes that help more than just themselves, they dive in head first, they genuinely care about works and "invest" in work of their peers. They spend money. yes, from way back, artists have spent money to buy wine for their social gatherings. Maybe to buy absinthe for their artist salons. I am just guessing, but I feel like this is part of modernism. They like galas and getting dressed up and boozed up and they like being bohemian and semi-fancy all at once. They like the juxtaposition. They like the feel of being semi-poor and semi-underfunded. It keeps them real, gives them art-cred. They also like to flaunt their anti-establishment mentalities at their peer's Benefit Events that take their structure/impetus/intent...etc. from those that well established organizations put on. Although a for-profit business probably spends more on one day of boxed lunches for their corporate lunch meetings than a nonprofit spends on a whole damn benefit event, the fact of the matter is, both are about spending money...both are lavish in the sense that: the employees could have packed their lunches or the non-profit could have asked Yards for a money donation that would go straight to their cause instead of getting beer donated. Ultimately, people and artists like food and beer, we like entertainment, we like to get a bang for our buck and if not a bang, at least something worth writing home about. We are spread too thin. We have expenses that need to get paid, things we feel like spending money on, things we forget we spend money on, things we can't even foresee having to spend money on...yet.

We are scared of money. I am. We know that by giving it too much worth, we are falling into a trap...the trap set up by "the man". But we can't keep our middle finger hard and erect forever. Sometimes we have to acknowledge the idea of currency and money and credit and worth. Our finger goes limp and then our hand goes limp and we reluctantly and wimpily offer our dead-fish hand shake to "the man".

and rant on. rant on...I am not sure yet what my point about benefits are. I am going out to buy a beer. or maybe go support an artist and, in a round-about way, buy a beer. either way...cheers to benefits. more to come I promise.


Tuesday, March 30, 2010

New work. Bones and Old People

I am working on a new piece with Kate, Ashley, and Annie (again).
I will post video of my last piece "Light Hits the Glitz"... I swear...that will be the next post.

But for now here are some of the thoughts about the new work. Actually they are questions... a shit load of them. But if there was ever a time for lots of questions to ponder and dance out, now is the time because I am so excited for all the amazing dance stuff going on in Philly right now. It pretty much makes me want to jump up and down and do everything possible to refrain from peeing my pants with joy. To name a few: PARD at the Mount Vernon Dance Space (almost daily awesome class...yay), Mascher got a hefty cultural fund grant, so did Pink Hair Affair, people I know are starting things...companies, dance talk series, work in progress showings...etc., another year of Snip Its and Sounds series is gonna happen. In this less than lovely economy Philly dancers are giving "the man" the bird. And I can't wait to see the outcome.

Anyway, here are my questions about bones and old people:
I am thinking about what is brittle? What is stiff or has lost its elasticity? What has lost its sponginess? I am into making lists of all the things that are like old people's bones and muscles? ...a sucked on candy cane, an egg shell, really really thin glass, certain ceramic, certain metal things, pencil lead, piece of chalk, wicker basket, leaf, bark? what are the differences between the qualities of these items and why do they seem so subtle until you actually think about it and the differences are pretty vastly different.? old people...Why do they break easily? Why do they have trouble moving? How do they feel aches and pains? Why don't they respond as fast? Why are they slow? Why aren't they agile? What is physically going on? How do they sense this gradual progression? What happens in their joints? What happens to the cartilage? Does it just rub away...erode...dry up? How does it feel to hold an old person? What is their weight? What if one fell and you had to pick him/her up? What would that dead weight be like? What does their skin sense? Why are the muscles get less elasticy by getting tighter, but the fat and skin get less elasticy by getting looser? Do the bones still protect the organs? Can old people sense their organs? Where are the nerve endings? Where are the blood vessels? Do they change in quality? Why do you care about old people? Who do you know that is old? Do you feel like they sense their body? What is their mind body connection like? How do they look/move when they are: sleeping/walking/doing tasks/...etc? What can they do to be "physical"? take a shit perhaps is the most embodied action of the day...or climbing stairs?

What happens when we think "bones" and when we move "bones" and when we dance "bones". What happens if we extract a bit of visual or sensory muscularity...seems to get rid of a lot of the crap. seems to get to a root of seeing people dancing in a much more simple way. What are our own personal connection to our bodies? What are the full skeleton ways we connect and get to our bones???: sensing our height...rib cage expansion/ bending of knee joints, Most of sensing bones comes from muscles or skin association. What do we think about bones...what are their qualities? White? wrapped in sheaths of tissue and encased in lots of stuff. attached to alot. space between them. like chicken bones or baby back ribs...those are ribs you know... close together. articulating. pointier ends than we think? maybe protrusions and tuberosities and different circumferences? are they slippery?

these are some questions. Maybe I will post answers but probably not. I will however post rehearsal footage soon.


Tuesday, January 26, 2010

beginning of a short story in which nothing happens

I haven't written in a while so here is some of the fiction writing I have been up to:

Hey you again,

So you want to run away with me to Berlin? I bet we could find a flat in Berlin and eat food out of cast iron skillets and ride vintage bicycles and have vintage sex. "vintage sex"?...haven't quite put my finger on it yet, but I've masturbated it several times and it is always fairly quaint and fairly satisfying.

Maybe it could work.

I can picture you and I in the airport...not the cinematically-good-looking couple that often gets a down-spot in an airport, or plays/movies about airports, or plays/movies about love and life that so often seem to be about airports.

But not us - oh not us.

We've got enough quirks to beat the band.
I with my chicken scratch handwriting, scribbling on crumpled napkins, and you with your teeth-demolished toothbrush. I have never seen such fucked up bristles in my life.
But two normal kids like us are supposed to have a couple fucked-up-isms each...
subtle ones.
We are subtly tired of existing in this pathetically normal atmosphere.
If the world of existentialism and Bukowski were chocolate pudding, we'd place our lightweight fucked-up-isms on the skin and use our fingertips to press ever so slightly downward, tracking and watching the swell of the pudding-like pudding that exists below the un-pudding-like skin.

What about vices?

...imagined as wanting to cheat on you with Bill Clinton and real as eating crunchy peanut butter minuscule mouthful after mouthful for ten minutes straight before bedtime.
...imagined as consistently packing a gizzed-on towel in your gym bag and real as letting your toenails grow till they rip minuscule holes in your ten pairs of dress socks.
...imagined as me being your first and real as you being my first...or viceversa
But in chocolate pudding, all things real and imagined don't matter much. It just splays itself out nakedly upon the cold silver metal of the salad bar.
In Berlin though we'd never eat at salad bars.

I hate the noise of those snapping plastic containers.

No, we'd shop at open-air markets and then go home to our flat and chop and dice fresh vibrant things for us to eat.
Just imagine the roasted vegetables, crepes, and salads we'd make...
leaning on each other, shoulder to shoulder
leaning into one another, stepping our feet out laterally from the weight-bearing center-line of our newly united state.
oh the things we would make, pressed shoulder to shoulder precariously counterbalancing one another,
taking care of the other person's Tower of Pisa-body by pressing back equally.
The first few weeks this tilted orientation would give us vertigo.
The first few weeks the fresh food would give us the collective runs.
We would stand as a unit by the bathroom door, me saying, "Baby, you go first. I can wait." and you saying, "No you. I'm fine. I'll wait".
And we banter on kindly like this for hours, forgetting, until our jaws grow tired and our rectums grow sore, working overtime, squeezing, compressing...
Eventually we take a deep inhale, and upon that breath's release, I go ahead and sit down first, savoring the sensation of my German toilet on the backs of my thighs.
And in Germany, it often rains.

I love the dome-shaped space our German umbrella creates around our dome-shaped skulls.

We walk under it...us doing our diagonal lean...our shoulder-to-shoulder counterbalance.
The connective tissue in my right shoulder molds around the bony protrusions of your left and inversely vice versa.
They fit together like a key in a lock...like when we have that vintage sex and leave the doors in the flat wide-open so my scream can throw its echo, bouncing from cement wall to cement wall in the courtyard.
I scream in German saying, "das cool", "das cool!!!!".
You tell me I don't know German and should take up French.
I say, "le poison douche et la pomme".
You pour some wine.
My teeth grow purple and my mood starts to sour.
I bake some brie and serve it with grapes.
You shove a whole tablespoon of brie into your mouth. You have brie smeared on your lips.
You are still chewing when you give me a hug and say, "Loosen up baby. I love you".
We hold the hug. While there, you reach for the baguette behind me and rip off a hunk. Crumbs tumble down the back of my German sweater. I probably start to produce tears to match the crumbs' downward trajectory.

It all feels somewhat like a mini-avalanche. Doesn't it?

I imagine Germany's winters must be dark and cold.
You say, "I wish you'd learn to ski"
I say, "I wish you'd invest in a scarf"
If I knew how to knit, I'd make you one. a deep vintage red with German yarn and German fringe.
I remind us that we too are on the fringe.
We are not like them... we are pioneers... we are in it together.
There is just us.
We are two, hand-in-hand, facing the cold, squinching up our faces in spite of the chill.
I hold your free hand as you smoke your cigarette. I blow puffs of hot air into the chill to mimic your puffs.
People all around us are speaking German. We can only make out words like "Doritos" and "facebook".




Thursday, January 14, 2010

a little more Light Hits The Glitz


I couldn't find it in me to drop this piece. SO we are bringing it back in a few spots around town:

On Stage Philadelphia!
Monday, February 8th, 7-10PM
@ Plays and Players (3rd floor Skinner Studio)
$10
We will perform a full version of Light Hits The Glitz. It will be on a shared bill with a bunch of sweet dance and theater groups.
http://www.playsandplayers.org/performance/onstagepreview

Friday, January 22nd till the AM of Sat. Jan. 23rd
@ The Annenberg Center on 36th and Walnut
Light Hits the Glitz excerpt on the "micro-stage" @ 11:15PM?
Pink Hair performs twice more @ 12:15 and 1:15.
Come see us and this play cause it sounds insane!

Thursday, October 29, 2009

thoughts on light hits the glitz

So "Light hits the glitz" was my fringe piece. I am reworking it for Zornitsa's Current Show which will be free at Mascher space on Saturday, Nov. 14th. I am so excited. Annie is in the piece now, and I can't wait to see the whole thing re-imagined. In rehearsal on Monday I tried to figure out and explain to Kate, Ash, and Annie what the intent of the piece is. But explanations are always lacking and I circled around and around blabbering productively, but not coherently.

So I tried again in email and here is what I came up with:
  • images of icing, marhmallow fluff, layers of delicious but extra sugary stuff added. Image of marshmallow fluff or icing smeared onto a person's arms or legs picking up shiny beads or sequins or glitter off the floor.
  • images of kids named Esme and Sophie and Kaylin and Emma walking around disney world with their parents all bright eyed...They spend 5 days there going to each theme park...it rains each afternoon. They get soaked waiting in line for the rides and attractions. Their parents buy them yellow slickers and glittery princess water bottles and wheely backpacks.
  • some kind of idea of "What is a fair Give and Take in art/dance?" How much do I want to glitter and glitz? Do I want people to wait in rainy lines for my art? Do I want people to expect it to be layered with thick sweet icing. Do I want people to run to Sam's club to buy it? Is Disney World a land of IMAGINATION? What is the nature of Imagination? Why do we associate it with children or things that awe us? Shouldn't "make believe" or "pretend" be taken seriously (as adults) not necessarily as fantasy or Lord of the rings or some elaborate sex porno fantasy, but make believe...like the brain/sensory process that fuels what we do every single day. I know a woman who "made believe" that she did not have a tumor the size of a basketball growing inside of her. When we rehearse at fidget, we make believe that we are in mascher space to figure out spacing....
  • so I guess a piece that comments on the glitz and fluff and requires the audience to invest in actual imaginative tasks by Kate annie and Ashley and then use their own imaginations to deal with what they see. deal with...not understand, or be awed by...
  • oh...and I am getting closer to what I actually mean. I think it is stupid that imagination is always supposed to make us feel good. It is the sole thing that is responsible for making us feel good, outrageous, awkward, ridiculous. I guess my point is that imagination is not marketable...we can't make an infomercial about it...but let us try to anyway. shall we?
  • oh as for merce, and least common denominator, and such...I want to ask: can we be imaginative and not embellish? We don't have to tell a story with our eyes or expression or gestures or spinal undulations. we don't have to show whimsy or emotion in the face. I we just show really simply "annie ashley and kate thinking and imagining", that is enough.
  • as for the Hole karaoke. there is something still really valid about that 7th-grade-alone-in-my-room-self that was all about over emoting andwhat I want to consider being way corny. Hole is so glitzy but so cornily harsh and abrasive. It tries to be irreverent . I just feel like it is a nice layer. The kind of complex feeling of not wanting to make the audience feel turned off or awkward, but genuinely wanting to make eye contact and express and over-emote.
Ha. Annie said at rehearsal, "So could you put what you are trying to say in one sentence?" Well, this is my attempt. (NOT) ...one bullet pointed, long ass sentence.

Come see the show. The piece will take half as long as it took me to think of those bullet points. I promise.

Tuesday, October 13, 2009

chaos has no kickstand

I love how I always start out my blogs talking about how I haven't blogged. It is kind of like when I used to go to confession at C.C.D. "Father forgive me, for it has been ______ since I have last blogged." I kinda stare through that weird shade/screen thing - my eyes level with the shadowy potbelly of the priest on the other side. I think of how he probably just gorged himself with meatballs and spaghetti but mostly meatballs. And I wonder if he has ever had the urge to fart or belch in that tiny dark booth and how bad it must smell, and I wonder if I should confess to him the these comic book-type images. But before I can get that out, he gives me my penance. "Say three Hail Mary's, two Our Father, and for Christ's sake, I check your blog daily and it's really been a let-down. The writing...when you actually do write, it all tries to hard...it kind of hears itself, comments on itself...and for Christ's sake if you use one more ellipsis, I think I'll scream."

I am not sure whether to say "Amen" or "Thank you Father", so I just leave the confessional quietly hoping to leave him wondering if his comment caused me to: faint, disintegrate, or will myself dead and straight to Hell.

So this blog was supposed to be about a performance art piece with a bike that I am thinking about, BUT I guess I got off on a tangent. So the next blog will be about the bike piece.

Tuesday, August 18, 2009

yearning to bitch/remembering to blog

I haven't blogged for a while. I'd love to get my ideas and ramblings on my fringe piece up in some kind of cohesive manner, but for right now, the ideal place for them is in a notebook, on a napkin, and other lovely places. I just picture myself, at some point in my life, at some European airport. Hey, if dreaming big is allowed, perhaps I'd be coming back from some kind of choreography residency in Berlin. And then, because I always attract crunchy hippies (not that there is anything wrong with crunchy hippies (I've eaten my share of granola and gone braless more than once)), I'd be at customs chatting with a few Bob Marley look-alikes about rebirth and Art. The person at customs would be suspicious of us all and before I'd know it, I'd be in some shady backroom being strip-searched by some large German woman and feeling her awkwardly strong German fingers searching in wrong places for a ziplock baggie of weed or two. She'd be shit out of luck, but out of my cavities she would retrieve pieces of crumpled paper with lots of choreography notes scribbled on them. She would be the one feeling "high" as she stood there like some surreal version of a magician pulling programs, blank pieces of printer paper, tissues, napkins, and receipts all graffiti-ed with my sloppily jotted thoughts on dance, life, and art out of my body.

That is a nasty exaggeration of my disorganization and abstract means of brainstorming, so please know that I do not actually stash dance notes up my ass!!!!

Well, Philly, as much as I love you...as much as I can't think of any other city I'd rather live in... here are some things that I'd like to bitch about:
  1. As of August 16th, you drained the public pool on 18th and Catharine of its water and closed it down for Fall. Last time I checked, the rest of August/hottest part of the Summer was still yet to come.
  2. Washington Ave. (my main means of biking to and from work every day) and Delaware Ave (my main means of biking to and from Mascher Space Co-op.) both have bike lanes the whole way!!! That would be lovely...except bike lane does not = place to sweep all of the road's and sidewalk's glass, trash, and other dangerous objects! You know those red bins at hospitals and doctors offices for sharp objects' disposal? I feel like city workers or fairies or trolls of Brotherly Love must go out at night and sprinkle the contents of those bins in the bike lanes.
  3. Speaking of bikes, my friend Christine's beautiful new custom bike got stolen. They literally sawed the pole to steal it. That's something to bitch about!
  4. The guidelines for the Philadelphia Cultural Fund Grant (the grant that PHA applied for and recieved last year) are not even posted on the website because the whole thing is in limbo due to the city's decisions about Budget cuts and funding. The deadline is Sept. 25th (probably), and I just got off the phone with the secretary at Senator Dominick Pillegi's (spelling???) office. The well trained voice of complacency softly told me that she would pass along my message of concern to the senator. I mean what else could she say? BUT STILL...its frustrating.
Well good, I've successfully set up a climax of negativity. The weird thing is...I am in a great mood today. No honestly I have an awesome rehearsal, free snacks (maybe?) at a grant meeting, a night off,and a homemade dinner with Paul and friends to look forward to on this sunny day. More thoughts on TENSE MAG to come...in case you thought I forgot about it/gave up!